The unofficial “Halloween weekend” might be almost over, but
the scariest night of the year is still yet to come. So as promised, here’s the
list that completes my top ten scariest horror films of all time. After
reading, you might want to stay well away from caves, forests, trick or
treaters in general, and probably your own house. Might just be best to stay
under the covers and not move until Wednesday then…
6. Halloween 2 (2009)
Following the events
of Rob Zombie’s 2007 remake of the 1978 original, Halloween 2 sees survivor Laurie Strode make the shocking discovery
that brutal maniac Michael Myers – now presumed dead - is her brother. But, of
course, Myers is anything but dead, when he makes new and violent efforts to
reunite himself with his sister on Halloween once again. On first glance, the
film brings nothing to the Myers family dinner, seemingly offering no more than
a macabre sequence of gratuitously-violent kills, but Zombie’s reboot of the 1981
sequel is, perhaps on further viewings, a horribly-bleak nightmare that, like
its 2007 predecessor, renders the silent, masked killing machine a towering
force of anything but nature, and is as intimidating as it is chilling.
7. The Descent (2005)
7. The Descent (2005)
After losing her
daughter and husband in a crash, Sarah’s friends take her potholing in North
Carolina to take her mind off things. When they become lost in the dark, though,
they realise that they’re actually in an uncatalogued cave system. But that’s
the least of their problems, when humanoid predators – which, like bats, rely
only on sound to navigate and hunt – emerge and unleash unforgivingly-brutal
terror on the group. Combining primal fear and hyper-tense claustrophobia, The Descent
is a taught and terrifying rollercoaster ride through hell. And if the
subterranean carnivores aren’t enough to haunt your dreams, then watching the
film’s characters painfully-squeeze their bodies through impossibly-narrow cavities
is. This isn’t just one of the finest British horror films, but one of the finest
in the genre, period.
8. Blair Witch (2016)
8. Blair Witch (2016)
When footage emerges
from the Black Hills Forest that suggests Heather Donahue – a documentarian who
went missing there in 1996 - may still be alive, her brother, James, rounds up
his friends and heads there to find her. But despite a local couple’s warnings against
spending the night because of the infamous legend of the malevolent Blair
Witch, the group head deeper into the woods and into the grasp of a powerful, unseen
force. Blair Witch might lack the surreal
sense of authenticity of the original, but it still manages to conjure up some
fresh new nightmares by not only bending the rules of the palm-sweating mythos
itself, but those which rendered the first film so effective, making for some
haunting frames that you’ll never be able to unsee.
9. Paranormal Activity 3 (2011)
9. Paranormal Activity 3 (2011)
In 1988, long before
the events of the original film, young couple Kristi and Dennis experience
strange occurrences in their home, which coincide with one of their two
daughters’ sudden obsession with an imaginary friend known as “Toby.” The
girls, Katie and Kristi, are the younger counterparts of the film series’
present-time victims, and so begins the terrifying activity and where it all
started. The fount-footage genre rarely makes for a solid scare, especially in
the case of the now-exhausted Paranormal
Activity series, but like the original, the threequel-prequel doesn’t rely
on games consoles, Skype, mobile phones and actual ghost cameras to frighten
you to the point of not wanting to live in your own house. Instead, there’s
just the one camera and its trembling aim on dark shapes that lurk behind curtains
and windows.
10. Sinister (2012)
10. Sinister (2012)
Twice-successful true crime writer Ellison Oswalt deceptively
moves his family into a house that saw its last family brutally murdered, now a
cold case on which he is basing his new novel. But when Ellison discovers a box
of Super 8 films in the attic, he learns the horrifying truth behind the
family’s deaths, and that there is a much more sinister force at large. On
paper, the film is as cliché as they come, but this film is all about execution
– and it’s one that is razor-sharp. It also makes much use of the
less-is-more approach and relies heavily on its insanely-atmospheric
score for the jumps, making it one to watch through the fingers and with the
lights on.
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