The Lego Batman Disassembled...

Someone once said (though I can’t quite remember who); “there’s a thousand ways in which you can portray Batman, and most ways will work.” Evidently, there’s much truth to this, having seen the once-never-Dark Knight go from a ridiculously-camp, spandex-clad Adam West to a Gothic caped crusader in Tim Burton’s interpretations, before morphing into a horribly-futuristic, nipple-boasting Bat-Clown (or Cloon) in Joel Schumacher’s Batman & Robin, only to be resurrected an acceptable number of years later by Christopher Nolan in the grittiest and most realistic way that also honoured the graphic novels, and then even darker in the hugely-popular steampunk-esque Arkham game series. Simply put, Batman is and always will be re-imagined, and his story re-told. But now you can enjoy Gotham’s most dangerous orphan in the way he was never meant to be portrayed: in Lego.

Double Film Review: Sing And Split

Sing

From Illuminations, the team behind the Despicable Me series, Minions and last year's The Secret Life of Pets, comes Sing; yet another computer-animated entry about anthropomorphic animals, but one that thankfully doesn't include those meddlesome yellow tic-tacs (although I'm sure there are plenty of easter eggs more visible upon repeated viewings). Sing follows koala bear, Buster Moon (Matthew McConaughey, because who else), who is fighting tooth and claw to keep his late father's failing theatre running, but turns somewhat crooked when he publicly announces a $100,000 prize for the winner in a new singing contest - one which he, a koala bar with no more than some nine-hundred dollars to his name, will host.

What Time Is It? It's Morphin' Time...

Like many if not all blockbusters over the last couple of years that have served as big-screen adaptations, reboots, re-imaginings, sequels or prequels, the new Power Rangers movie has also been the target of hatred, scepticism and resentment. And without jumping on the anti-fanboy bandwagon, as a fan of the franchise myself, I'll be the first to admit that, whilst excited for the most part, some of the more recent concept images - mainly those of toys with almost zeo - sorry, zero marketing of the film itself, for reasons unknown - have been downright shocking...

Double film review: A Monster Calls and Manchester By the Sea

A Monster Calls

From director J.A. Bayona (next set to branch out with 2018's Jurassic World sequel) comes this tragic-to-be tale about facing inevitable loss, through the eyes - and deeply unsettling dreams - of young Conor (Lewis MacDougall), as we drop in more than halfway through his mother's failing battle with cancer. But as Conor deals with the crushing weight of her illness, while also fending off his otherwise LA-based father (Toby Kebbell), his estranged grandmother (Sigourney Weaver) and school bullies, he is visited by a giant, powerful tree (a godly-voiced Liam Neeson, of course), who has apparently come to help Conor by offering three seemingly-irrelevant fairy tale stories, all the while encouraging Conor to lash out wherever possible. 

Still Fighting Those January Blues? Then Take A Trip To La La Land...

After reluctantly watching a musical I actually end up enjoying, I always come to the realisation that I possess a seldom-spoken love for a jolly good sing-along, whether it’s one of Disney’s animated classics or the much darker likes of 2007's Sweeney Todd or 2014’s Into the Woods. And then of course there’s theatre: The Lion King, Wicked, Thriller, to name but a few of the classics that have seen me fighting those unstoppable shoulder-gyrations. But quite often, I also find myself fantasising about living in a world where we all sing and dance in harmony and flawless synchronisation. What a world that would be. In fact, you could call such a place “La La Land”…

Collateral Beauty Review

Over the past twenty years, the strangely-still-fresh Prince Smith has established himself incredibly well as the bad boy of action, from, ahem, the Bad Boys movies, to last year’s Suicide Squad, with all the others in between too like Independence Day, the Men in Black movies, I, Robot and I Am Legend, to name but a gazillion. 

Assassin's Creed: Avoid If You Suffer From The January Blues

Who said movies based on video games are bad? Well, they have a point. The only real effort that usually comes to mind is 2006’s horror epic Silent Hill, which brilliantly captured the nightmarish atmosphere of the games. Then there's 1995’s Mortal Kombat, but that’s usually before I remember it’s a film that hasn’t aged at all well. In other words; it’s pretty bad, but as a guilty-pleasure it’s still a better opponent than its sequels. The same goes for the original semi-decent Resident Evil movie, now squandered by its endlessly-reanimating and utterly-outlandish sequels. Angelina Jolie embodied a perfect incarnation of Lara Croft, though the films themselves were pretty lacklustre. 

Why Him Review

James Franco has never been a stranger to comedy, having delivered some genius flicks in recent years, with the likes of Pineapple Express, the hugely-underappreciated This is the End (and if you’re a true Franco-fan, Pineapple Express 2), the insanely-controversial The Interview and 2015’s The Night Before and last year’s jaw-droppingly-unforgettable Sausage Party. And neither has Bryan Cranston, who might be more well-known as the formidable Heisenberg from AMC’s TV classic Breaking Bad, but had us all laughing our abs into shape in years prior during his days as the butt-of-all-pranks-dad in Fox’s Malcolm in the Middle. Now, Christmas comedy Why Him sees both megastars unite on-screen, though it’s not a particularly friendly affair. 

Rogue One: The Force A’weakens…

Star Wars. So much to say but such restricted word count to say it all. Undoubtedly the biggest film franchise in history, but perhaps at the same time, the most overrated. With the start of the original trilogy in 1977, the now much-hated prequel trilogy in 1999, and last year’s continuation The Force Awakens, Rogue One: A Star Wars Story is the official eighth film in the saga, though it’s not an episodic entry and is intended to serve as more of an “in between-quel.”

Fantastic Beasts And Where To Find Them - Filmmaking At Its Most Magical

Move over Harry, Ron and Hermione - there are some new wizards (and a nomaj) in town...

When Harry Potter first hit cinemas in 2001, it cast a spell upon millions the non-wizarding-world over, and even with the series’ last entry in 2011 marking the end of the era of the boy who lived, the spell still hadn't dissipated. Based on the seven record-breaking bestsellers by J.K. Rowling that spawned eight films, a theme park, a studio tour, countless merchandising lines, spin-off books and so much (Potter)more, there's no argument that Harry Potter is the most magical franchise in cinematic history. And now, five years since the last instalment, that spell remains as unbreakable as ever, with the new West End play Harry Potter and The Cursed Child filling theatre seats quicker than a Quidditch match, its respective book flying off shelves faster than any snitch, and now, the release of the eagerly-anticipated spin-off film Fantastic Beasts and Where to Find Them.