In hindsight, it makes more sense than not that Abrams' The Force Awakens was a play-it-safe carbon copy of A New Hope, especially given that it was the first entry since 2005’s Revenge of the Sith, the last of the despised prequel trilogy. But there’s no denying that, despite its many strengths, it was a film weighed down by the past. Even in its controversial disposal of Harrison Ford's much-loved nerf herder, it was something of a Han Solo-centric film, though its decision to cast him into the ether in the first place spoke volumes about Disney's plans to start wiping the slate clean.
