For a film
franchise based on a long-time popular Disneyland attraction, Pirates of the Caribbean really know how
to flog a dead horse (that’s actually not a bad subtitle), with its fifth
instalment Dead Men Tell No Tales having
now arrived at cinema shores worldwide.
The film reunites
faces of old. Will Turner (Bloom) – who has seen much better days – is still
trapped aboard The Flying Dutchman, while his son Henry (Brendan Thwaites), now
a pirate expert and maritime mythologist, searches for the key to freeing his
father: The Trident of Poseidon. Jack Sparrow (Depp) and Barbossa (Rush) join the
voyage along with female astronomer Carina Smyth (Kaya Scodelario), while undead
pirate-killer Salazar (Bardem) and his equally-undead crew are hot on their tail,
looking to exact vengeance on Sparrow for leading them to their brutal deaths
some decades before.
There are two
main beefs I’ve long had with these films, the first being how fairly horrible
the characters are to one another, which is still the case. Yes, I get that
they’re pirates and that double-crossery is in their nature, but the problem is
that it depraves the characters of any real likeability and renders the films
as heartless as a dead man’s chest. The second is the action sequences, which
remain nothing more than a series of deafening, visually-indecipherable flukes.
The real
culprit here though is the plot, as the film randomly hops from one location to
the next without notice, following no logical narrative route and with about as
much direction as a fast-sinking ship. But perhaps the most exhausted feature
of all is Depp himself. The infamous dreadlocked, sober-virgin, slur-speeched,
timber-shivering swain Jack Sparrow has, in all of five films, shown not a
single shred of real character development. All that said, the fact he’s the
figurehead of the franchise is understandable given the rest of the equally
anti-charismatic, yawn-inducing line-up. Bardem is no saving grace either, who
plays the kind of villain we’ve now seen for the fourth time in the series.
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